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Review: Batman #13 by Scott Snyder and Greg Capullo

For one moment, imagine you become the lead writer of Batman. I mean it’s a great gig, right? You’re writing one of the most iconic comic book characters of all time, and there are hundreds of stories that you can tell about him. I don’t remember any writer saying the words, “Batman… I mean what else is there to write about?”

But every day you write Batman, you have to deal with the elephant in the room. Whether you put him into the title or whether you go out of your way to keep him out of your title, he’s just sitting out there: The Joker.

At some point, you have to write a Joker story.

I mean you can have Superman without Lex Luthor, Catpain America without the Red Skull, X-Men without Magneto. But when you’re dealing with Batman, you have to write a Joker story. Plus, it had better be good, as the comic book fans have enough other issues to compare it to .

Scott Snyder went all out. For his Joker story, he is creating a crossover story that spans multiple books in the Bat-Universe. So this will be recognized. And with his current track record, he has definitely earned my anticipation.

As always, spoiilers below.

Read more…

Review: Sword of Sorcery #0 by Christy Marx and Aaron Lopresti

Back in the 1980s, DC Comics created the character of Amethyst, Princess of Gemworld, trying to tap into a girl audience. I can’t say that it was much beloved, but it certainly caught my attention, because it looked very different from anything else on the comic book racks. Here was a comic book that was obviously aimed solely at girls, but most girl-oriented books were more kiddie oriented or were tied-in media properties. This looked closer to Mike Grell’s Warlord or Wonder Woman’s adventures when on Paradise Island. I never really read it, even though I was a huge Teen Titans fan and even would read Wonder Woman on occasion, but girl oriented fantasy did not appeal.

The book stuck around in a few forms for about 4 years. You can’t really say it was a successful comic book. But after 30 years, I still remember it, and remember it enough to be curious when DC announced that she would be starring in one of their Third Wave titles.

This is a smart move by DC Comics. There are more girls interested in comic books than almost ever. And trying to tap into the crowd that grew up (or is currently growing up) on young adult fantasy, is also smart. Let’s see if this fantasy tale can bring in all sides. Read more…

Dropped in the Middle Review: Deathstroke #8 by Kyle Higgins & Eduardo Pansica

I have a son who is now discovering modern versions of television shows that I enjoyed when I was younger. Primarily his favorite is Transformers, and we watch Transformers Prime once in a while. 1 It is very strange to have to explain to a five year old boy that in the 80s Bumblebee is a VW Beetle and in the current version he is a Chevy Camaro. If characters last long enough, they change and modernize.

Which brings us to Deathstroke. I go back even further with Deathstroke than I do with Transformers. 2 It was always the honor and class that endeared the now “classic” Deathstroke to me. 3

So, last summer, during the DCnU explosion, I read Deathstroke #1. I didn’t review it at the time, but generally I would have given it a C. It was a fine action comic book, and Slade Wilson was interesting enough. Going forward, it was a decent take on Deathstroke, but it just wasn’t something that would appeal to me on a monthly basis. Slade was all “bad ass” mercenary, and little more.

Well, I read the preview for Deathstroke this week 4, and was pulled in. Seemed like a good reason to break out a Dropped in the Middle Review. 5


Deathstroke #8: Circle of Life

Publisher: DC Comics
Writer: Kyle Higgins
Artist: Eduardo Pansica
Release Date: 04/11/2012
Cover Price: $2.99
Review: Digital Copy (From Comixology)

Slade Wilson is apparently having issues with his son Grant. In the original DC Universe, Grant Wilson was known as The Ravager and was killed during Deathstroke’s first encounter with the Teen Titans.

Synopsis

The issue goes back and forth between a series of flashbacks to the past, and the present where Slade is recoperating from his injuries.

In the past,

  • Slade Wilson’s father Nathaniel Wilson is a thief who was constantly on the run owing people money.
  • To pay of his debt of ten thousand dollars, he gives the gangsters his sone Slade.

In the present,

  • Slade wakes up in a bed recovering from his injuries.
  • Deathstroke takes a job to take out a small time demolitions expert named Kill Switch. He hunts down the man down and the building explodes around both of them. Slade survives.
  • In the end, Slade visits his father in a nursing home, reminding him of what his father’s actions turned him into.

Questions and Answers

Q:    Where did Slade Wilson go after he was sold to the gangsters. How does this fit in with his DCnU origin?

Analysis

This was actually pretty good. Nothing exceptional, mind you, but Kyle Higgins has constructed a pretty interesting anti-hero story here. I am curious enough to know where this goes. Having not read Deathstroke #7, I am curious to know if his son, Grant, has taken on the moniker of Ravager and if the costume is similar. It seems obvious that they would keep to the original story and have Ravager die at some point in time, but that may be too easy. It’s the DCnU, and anything can happen here.

The old double-switch was a nice touch. We know that Slade Wilson is concerned about his son in this issue. So at the beginning of the comic, we get a flashback where a white haired man is sitting in a car with his son It’s only a few panels, but I’m automatically thinking that Slade is the man and Grant is the young man. And then they pull the switch, and the man says:

Yeah, it’s an easy trick. But it’s a trick you can’t do too often, and I must admit that Higgins and Pansica really pulled it off. It was that image alone that pulled me into the book. A slight tingle of, “Wow, I don’t know anything about Slade Wilson’s childhood, old universe or new.” Well done.

On the flip side. I didn’t like the look on Slade Wilson’s face when he left his father at the end of the issue. Now this is definitely me channeling the DCU Deathstroke into the DCnU Deathstroke, but to me Slade is professional through and through. Sure, he’d let you know that he succeeded or was better than you, but in a calculating sort of way. It felt wrong for him to get that much pleasure out of twisting the knife in his father. It ruined things for me a little bit.

The villain was too generic and easy. To me, there’s a missed opportunity to present Slade as a thrillseeker, someone who needs the adrenalin rush to go on. Maybe that’s been expressed in the previous issues. I would have liked some reason for him going after the “Small Job”. Did it remind him of his father? Did he just want something easy to get back in the game. Is he hurt, and he’s turning to his ‘drug’ to get him back on track? There’s room where that could have been explored just a little.

Later he says that “the work” is the only thing that makes him happy. I would like some more explanation of this? Is it the killing that makes him happy (because that makes him a psychopath). Is it the challenge that makes him happy (because that makes him an andrenalyn junkie). Is the power over those weaker than him what makes him happy (I guess that would make him meglomaniacal?). Or is it the chaos that he brings that makes him happy (because that would make him a chaos worshiper).

Okay, handing a knife to “Kill Switch’s” son was waaaay too reminiscent of Kill Bill. I know it’s already an easy comparisson, and sometimes you just go with what’s in front of you, but… I could have done without it. Plus, the kid’s father was just murdered by Slade, 6 there’s no way the kid would be ready to just turn the page and say he was a bad guy.

I can’t say the art is a mixed bag, because in most places it is pretty good. Slade Wilson looks pretty good and well drawn. But the drawing of Deathstroke’s costume is just so bulky and ridiculous. It looks like he’s in an Iron Man like suit, instead of a costume. The cover art is much better, and gives a stronger profile.

Verdict

Overall, this was a pretty decent comic book. Personally, I don’t think my current comic book budget allows me to add Deathstroke to my existing list. But that doesn’t take away from its value. If you haven’t read a good mercenary book, and are looking for a nice fluffy action book, I think you could do far worse. The story is tight. There are a lot of dangling plot lines to explore. And I think Slade Wilson is a very compelling character.

Overall Grade: 7.0 (surprisingly good)

Footnotes

1 – In a weird dichotomy, he prefers the classic Transformers cartoons and I prefer the modern Transformers Prime. I think he likes the classic one either because bad guys like Megatron were a little less scary in the 80s OR because Optimus Prime transforms into a truck every 5 minutes or so. And he LOOOVES Trucks. I prefer the modern one because I haven’t seen the episodes and because I now realize just HOW bad the 80s Sunbow cartoons were. I mean, I knew they weren’t great, but the animation is AWFUL.

2 – In 1980 I purchased New Teen Titans #2 off the rack (of a 7-11 I think), which was the debut of Deathstroke The Terminator, and I loved the character from day 1. Still one of my favorite villains of all time.

3 – Most classicly depicted in Tales of the New Teen Titans #55.

4 – In case you don’t know, Comixology/DC publishes a preview of ‘most’ of the DC Universe comics being published each week. It’s a decent opportunity to try out new comic books. I would recommend it even for those who aren’t reading comics digitally.

5 – Changed the name, only because I like how it rhymes with the chorus of the classic song “Stuck in the Middle with You”

6 – Though technically, Kill Switch gets the assist.

    

 

Review: Superman #2 (link)

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My review for Superman #2 by George Perez and Jesus Merino has just been posted on insidepulse.

Use the following link to go check it out:

http://insidepulse.com/2011/10/27/review-superman-2-by-george-perez-jesus-merino/

Review: Incredible Hulk #1 (link)

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Well, I switched up and actually reviewed a Marvel comic.  I know… I know…  Betrayer most foul.

But I’ve been a fan of the Hulk in the past, and thought I’d give it a go.  To see my review, click the link below:

http://insidepulse.com/2011/10/26/review-incredible-hulk-1-jason-aaron-mark-silvestri/

Review: Nightwing #2 (link)

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Well, this one is actually reasonably on time.  Here is my review of Nightwing #2 on Comic Nexus:

http://insidepulse.com/2011/10/25/review-nightwing-2-by-kyle-higgins-and-eddy-barrows/

Review: Wonder Woman #2 (link)

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I know, it’s repetitive.  And maybe everyone here is already reading my wonderful stuff on Comic Nexus.  But regardless, here’s the link to my review of Wonder Woman #2:

http://insidepulse.com/2011/10/21/review-wonder-woman-2-by-brian-azzarello-cliff-chiang/

Review: Batman #2 (link)

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Here’s the link to my review of Batman issue #2:

http://insidepulse.com/2011/10/20/review-batman-2-by-scott-snyder-greg-capullo/

Review: Justice League #2 (link)

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Wow, I got way too behind in linking to my posts on Inside Pulse.  My mistakes.  Anyway, if you want to read my review of Justice League #2 go here:

http://insidepulse.com/2011/10/19/review-justice-league-2-by-geoff-johns-and-jim-lee/

Review: Grifter #2 (Link)

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I reviewed DC’s Grifter #2 for InsidePulse’s Colmic Nexus.  Check it out here:

http://insidepulse.com/2011/10/19/review-grifter-2-by-nathan-edmondson-and-cafu/

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